在地實驗2018台北雙年展「反控/智」系列論壇(六) 連接連續體做為藝術研究

Hanji

發佈日期: 2018年12月23日
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        在地實驗2018台北雙年展「反控/智」系列論壇(六)
        ◆題目:連接連續體做為藝術研究
        Connections Continuum as Artistic Research

        ---
        For English, please scroll down.
        This talk will proceed in English and with consecutive interpretation. 本論壇將以英文進行並備逐步英-中口譯。
        ---

        ◆時間:2018年12月23日(日)14:30
        ◆地點:臺北市立美術館 圖書室

        ◆論壇簡介:
        本場論壇講者的藝術研究專注於環境文化的續譜,以及行星的代謝作用。透過開發科技介面、裝置以及有機和礦物土壤劑的關係,試圖提出機械、數位以及有機邏輯的後人類狀況。
        我們透過藝術實踐回應以下幾個議題:人類微生物群基因體與身分性;真菌菌絲體與人體神經系統的內部連接;抗生素抗性與土壤的氣味;有機共生與難民政治;化石燃料和工廠養殖雞;作為高級料理的食土,以及土壤細菌製成的香水。

        ◆論談主持:在地實驗 www.etat.com
        ◆論談策劃:鄭先喻 chenghsienyu.com

        ◆關於「反控/智」系列論壇:
        在地實驗受邀參與2018台北雙年展「後自然:美術館作為一個生態系統」,作品除了〈漫遊者函集〉(Flâneur Hanji)每個週末14:30與觀眾分享他的個人見解,也包含本系列「反控/智」論壇共八場。論壇由在地實驗主持,邀請動態自造實驗室(FabLab Dynamic)、王咏琳、鄭先喻策劃。整體而言,論壇題旨以個體自主與反科技控制為核心,反思人類主體、人文思維與機械、科學實驗、人工智慧等技術物之間共生與抵抗關係。

        Talk vol. 6, "Counter-Control/Intelligence" series
        (project of ET@T in 2018 Taipei Biennial)
        ◆Title: Connections Continuum as Artistic Research

        ◆Time: 14:30, Dec. 23, 2018
        ◆Venue: Library, Taipei Fine Arts Museum

        ◆Brief:
        Our artistic research focuses on entanglements of environment-culture continuum and planetary metabolism. By developing technological interfaces, installations and relations with organic and mineral soil agents we try to address the posthuman condition that involves mechanical, digital and organic logic within bio-politics and necro-politics of our times.
        Various questions that we addressed during our artistic practice: human microbiome and identity; intra-connectedness of fungal mycelium and human nervous system; antibiotic resistance and the smell of soil; organic symbiosis and refugee politics; fossil fuels and industrial chicken; geophagy as haute cuisine and soil bacteria perfumes.

        ◆Moderated by ET@T www.etat.com
        ◆Organised by Hsien-Yu Cheng chenghsienyu.com

        ◆ "Counter-Control/Intelligence" talks:
        These 8 forums are moderated by ET@T, each
        is organized by FabLab Dynamic, Yung-Lin Wang Hsien-Yu Cheng, which will engage with themes of human-machine interaction, autonomy and artificial intelligence, and the ethics of control in the context of robot sentience.

        --
        2018台北雙年展-參展藝術家:在地實驗 https://www.taipeibiennial.org/2018/information/48

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          ATTENDEE 與談人介紹

          • 薩沙·斯帕施爾 Saša Spačal

            薩沙·斯帕施爾 Saša Spačal

            薩沙·斯帕施爾是位後媒(postmedia)體藝術家,所創作的作品結合生命系統研究、當代與聲音藝術,尤其關注後人類續連續體──人類成為整體生態系統中的許多元素之一,而非主權者。擺脫笛卡兒系統的分類方式,接受技術領域不僅從硬體擴展到軟體,並且還擴展到濕體(wetware),形成機械、數位和有機邏輯中的混合現象。
            斯帕施爾的作品曾於許多場館與藝術節展演,包括奧地利林茲電子藝術節、法國立方體藝術節、德國柏林新媒體藝術節Transmediale。作品曾獲頒林茲電子藝術大獎榮譽獎,以及入圍立方體藝術獎。
            Saša Spačal is a postmedia artist working at the intersection of living systems research, contemporary and sound art. Her work focuses primarily on the posthuman continuum, where human beings exist and act as one of many elements in the ecosystem and not as sovereigns. Therefore abandoning the Cartesian system of classification and accepting the fact that the field of technology has expanded not only from hardware to software but also to wetware resulting in hybrid phenomena inscribed in mechanical, digital and organic logic.
            Her work was exhibited and performed at venues and festivals such as Ars Electronica Festival (AT), Prix Cube Exhibition (FR), Transmediale Festival (DE), Onassis Cultural Center Athens (GR), Chronos Art Center (CHN), Cynetart Festival (DE), National Art Museum of China (CHN), Museum of Contemporary Art Metelkova (SI), Kapelica Gallery (SI), Device_art (CRO), Art Laboratory Berlin (DE), Kiblix Festival (SI), Gallery of Contemporary Art Celje (SI), Museum of Contemporary Art Vojvodina (SRB), Lisboa Soa Festival (PT) and Sonica Festival (SI). She was awarded Prix Ars Electronica Honorary Mention, and nominated for Prix Cube.

          • 密爾拉揚·施瓦喬治 Mirjan Švagelj, PhD

            密爾拉揚·施瓦喬治 Mirjan Švagelj, PhD

            密爾拉揚·施瓦喬治於盧布爾雅那大學醫學院取得生物醫學博士學位,專長的領域為應用生物醫學與生物科技的研究與開發。他也是位藝術家,創作結合生物科技、微生物學,以及跨媒體藝術。作品曾於許多場館與藝術節展出,包括奧地利林茲電子藝術節、德國Cynetart新媒體藝術節、中國美術館。作品曾獲頒林茲電子藝術大獎榮譽獎,以及入圍立方體藝術獎。
            Mirjan Švagelj obtained a PhD in biomedicine from the Faculty of Medicine of the University of Ljubljana. As a scientist, he works in research and development in the field of applied biochemistry and biotechnology. As an artist, he works at the intersection of biotechnology, microbiology and intermedia art. He has exhibited his
            work at numerous venues and festivals, such as Ars Electronica (AT), Cynetart (DE), The Chinese National Museum of Art (CHN), Chronos Art Center (CHN), Device_art (CRO), Art Laboratory Berlin (DE), Prix Cube Exhibition (FR), Kapelica Gallery (SI), Kiblix Festival (SI), Onassis Cultural Centre Athens (GR), Lisboa Soa Festival (PT) and Museum of Contemporary Art Metelkova (SI). For his work he received an Honorary Mention at the Ars Electronica Prix, and was nominated for the Prix Cube.

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